America and Indian race — страница 9

Superior, and about Copper River in Alaska. The art of smelting was apparently unknown. Under Franciscan and later Mexican teaching the Navahos have developed a silver-working art which compares in importance with their celebrated basket-weaving, the material used being silver coins melted down in stone molds of their own carving. Mica was mined in the Carolina mountains by the local tribes and fashioned into gorgets and mirrors, which found their way by trade as far as the western prairies, All of these arts belonged to the men. Basket-weaving in wood splits, cane, rushes, yucca- or bark-fibre, and various grasses was practiced by the same tribes which made pottery, and excepting in a few tribes, was likewise a women's work. The basket was stained in various designs with

vegetable dyes. The Cherokee made a double-walled basket. Those of the Choctaw, Pueblo tribes, Jicarillo, and Piute were noted for beauty of design and execution, but the Pomo and other tribes of California excelled in all closeness and delicacy of weaving and richness of decoration, many of their grass baskets being water-tight and almost hidden under an inter-weaving of bright-coloured plumage, and further decorated around the top with pendants of shining mother-of-pearl. The weaving of grass or rush mats for covering beds or wigwams may be considered as a variant of the basket-weaving process, as likewise the delicate porcupine quill appliqué work of the northern plains and upper-Mississippi tribes. Silver jewelry is probably the best known form of Native American art. It is

not an ancient art. Southwest Native Americans began working in silver around 1850. Jewelry was the way many Native Americans showed their wealth. Coins were used for silver in the early days. Navajo silverwork can be made many ways. One way is to carve a stone with a knife and pour the silver into the shape. This is called sandcasting. Another way is to cut the shape out of silver and use a stamp to make a design. Stamps were made from any bit of scrap iron, including spikes, old chisels and broken files. Turquoise is used in jewelry. This didn't start happening until 1880's. Turquoise is found in Colorado, Nevada, Arizona and New Mexico.The color of turquoise is from a pale chalky blue -almost white- to a very deep green. The making of pottery belonged to the women and was

practiced in nearly all tribes, excepting those in the plains and interior basin, and the cold north. The Eastern pottery is usually decorated with stamped patterns. That of the Pueblo and other south-western tribes was smooth and painted over with symbolic designs. A few specimens of glazed ware have been found in the same region, but it is doubtful if the process is of native origin. The Catawba and some other tribes produced a beautiful black ware by burning the vessel under cover, so that the smoke permeated the pores of the clay. The simple hand process by coiling was universally used. The useful art of skin-dressing also belonged exclusively to the women, excepting along the Arctic coasts, where furs, instead of denuded skins, were worn by the Eskimo, while the entrails of

the larger sea animals were also utilized for waterproof garments. The skins in most general use were those of the buffalo, elk, and deer, which were prepared by scraping, stretching, and anointing with various softening or preservative mixtures, of which the liver or brains of the animal were commonly a part. The timber tribes generally smoked the skins, a process unknown on the plains. A limited use was made of bird skins with the feathers intact. The weaving art proper was also almost exclusively in the hands of the women. In the east, aside from basket- and mat-making it was confined almost entirely to the twisting of ropes or bowstrings, and the making of belts, the skin fabric taking the place of the textile. In the South-West the Pueblo tribes wove native cotton upon looms

of their own device, and, since the introduction of sheep by the Franciscan missionaries in the sixteenth century, the Navaho, enlarging upon their Pueblo teaching have developed a weaving art which has made the Navaho blanket famous throughout the country, the stripping, spinning, weaving, and dyeing of the wool all being their own. The Piute of Nevada and others of that region wore blankets woven from strips of rabbit-fur. Some early writers mention feather-woven cloaks among the gulf tribes, but it is possible that the feathers were simply overlaid upon the skin garment. It is notable that the Indian worker, man or woman, used no pattern, carrying the design in the head. Certain designs, however, were standardized and hereditary in particular tribes and societies. According to